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Nathan Martinez and Steve Dilk sit atop North Six Shooter in Indian Creek, Utah, in 2013. The area is now included in Bears Ears National Monument. Canyonlands National Park is in the background. [Photo] Derek Franz

Good news and bad news for public land, and an in-depth look at the politics surrounding Bears Ears National Monument

April is likely to be a pivotal time for the future of Bears Ears National Monument in Utah. U.S. Interior Secretary Ryan Zinke is poised to visit the state soon and make a recommendation to President Donald Trump on whether to rescind the monument as Utah lawmakers are requesting. Meanwhile the Access Fund reports an uptick in political participation that seems to be having an effect on leaders in Washington. Alpinist Digital Editor Derek Franz considers the context in which the monument was created.

El Regalo de Mwono on the Central Tower, Torres del Paine, Patagonia (VI 5.13b, 1200m) was first climbed in the early 1990s by Paul Pritchard, Sean Smith, Noel Craine and Simon Yates and rated VI 5.10 A4. [Photo] Courtesy of Nico Favresse, Siebe Vanhee and Sean Villanueva O'Driscoll

Three Belgian climbers free 1200-meter route on Central Tower of Torres del Paine

Belgian climbers Nico Favresse, Siebe Vanhee and Sean Villanueva O’Driscoll managed to squeak out a 19-day free ascent of the 1200-meter route El Regalo de Mwono–originally VI 5.10 A4 when first climbed in 1991-’92, now 5.13b–on the Central Tower in the Torres del Paine, Patagonia. They had 15 days of rations. The climb is one of the hardest big wall free climbs in the Great Ranges.

Mt. Mizugaki (2230m), one of the peaks featured in Kyya Fukada's 1964 classic, One Hundred Mountains of Japan, translated in 2014 by Martin Hood. "Can one describe this mountain as a medley of crags?" Fukada wrote. "It is not the only mountain with crags, but what is unique about Mizugaki is the way it mixes its crags with its trees." [Photo] Satoru Hagihara

On Belay: A Thousand Days of Lapis Lazuli

After ten years as a boulderer, Keita Kurakami attempts what some other local climbers called impossible: a new free route on the daunting 110-meter Moai Face of Mt. Mizugaki. When he succeeded in July of last year, it turned out to be the hardest multipitch trad climb in Japan at 5.14a R/X.

Christ Healing the Blind, painted ca. 1657. Dawn L. Hollis observes: The image depicts the healing of two blind men recounted in Matthew 20:29-34. Their first sight will be of the mountainous vista that dominates the canvas. [Image] Philippe de Champaigne

Wired: Rethinking Mountain Gloom

Dawn L. Hollis challenges the belief in academia that people did not care for mountains until they began climbing them at the end of the eighteenth century. Further, she studies why an institution such as the British Alpine Club would react so strongly against the premise that the love people have for mountains is nothing new.

Royal Robbins [Photo] Tom Frost

1935-2017: Big-wall pioneer and world explorer Royal Robbins remembered

Royal Robbins (1935-2017) is remembered as a courageous visionary, from climbing the walls of Yosemite and the Alps, to kayaking raging rivers, and navigating his business, he embodied many lives in the span of his time on Earth and inspired generations, as evidenced by the numerous stories shared by his friends and admirers. Climbing shaped Robbins, and in turn he shaped climbing.

A Berec headlamp used by Martin Mushkin from the mid-1950s until 1980. [Photo] Michelle Hoffman

TOOL USERS: The Headlamp

In this Tool Users story from Alpinist 57, Paula Wright shines a light on the evolution of the headlamp. Since some climbers were still carrying flashlights in their mouths as late as the early 1970s, it seems that we have only recently emerged into a more illuminated age.

A climber's bookcase. [Photo] Derek Franz

The Literature of Ascent

“Literary mountain writing may now be giving way to the selfie,” Stephen Slemon writes in this essay. “But this shift towards the visual media may be opening new ground for the genre of mountaineering literature to change.” Slemon explores climbing’s ties to the written word and how the form of climbing narratives is evolving.